Press

up

William Kentridge – Why Should I Hesitate: Putting Drawings To Work

Press release
WILLIAM KENTRIDGE – WHY SOULD I HESITATE: PUTTING DRAWINGS TO WORK

23 October 2020 – 2 May 2021
Hall for Contemporary Art/ Deichtorhallen Hamburg

Pressemitteilung
WILLIAM KENTRDIGE – WHY SHOULD I HESITATE: PUTTING DRAWINGS TO WORK

23. Oktober 2020 – 2. Mai 2021
Halle für aktuelle Kunst/ Deichtorhallen Hamburg

Images

Ausstellungsansicht WILLIAM KENTRIDGE - WHY SOULD I HESITATE: PUTTING DRAWINGS TO WORK in der Halle für aktuelle Kunst
Foto: Henning Rogge

Ausstellungsansicht WILLIAM KENTRIDGE - WHY SOULD I HESITATE: PUTTING DRAWINGS TO WORK in der Halle für aktuelle Kunst
Foto: Henning Rogge

Ausstellungsansicht WILLIAM KENTRIDGE - WHY SOULD I HESITATE: PUTTING DRAWINGS TO WORK in der Halle für aktuelle Kunst
Foto: Henning Rogge

William Kentridge
Photo: Norbert Miguletz


William Kentridge: Espagne Ancienne (Porter with Dividers), 2005

Tapestry

265 x 358 cm

William Kentridge: Porter Series: Norwége, Sueéde et Danemark, 2005

Tapestry

274 x 203 cm

William Kentridge: More Sweetly Play the Dance, 2015
Installation at Eye Filmmuseum, Amsterdam, 2015

Copyright: Photography: Studio Hans Wilschut. Courtesy William Kentridge Studio

Info: 4939px x 3700px / 4.45 MB / JPEG

William Kentridge: More Sweetly Play the Dance, 2015
Installation at Eye Filmmuseum, Amsterdam, 2015.

Photography: Studio Hans Wilschut

Courtesy William Kentridge Studio

Copyright: Photography: Studio Hans Wilschut. Courtesy William Kentridge Studio

Info: 4939px x 3700px / 3.74 MB / JPEG

William Kentridge: Garibaldi, 2016. Aquatint etching on handmade paper, mounted on raw cotton cloth.
Courtesy of the Artist and Goodman Gallery
© William Kentridge
Image courtesy of Zeitz MOCAA
Photo: © Anel Wessels

Copyright: Artwork: Courtesy of the Artist and Goodman Gallery. Image courtesy of Zeitz MOCAA. Photo: © Anel Wessels

Info: 3497px x 3712px / 7.71 MB / JPEG

William Kentridge: Drawing for Il Sole 24 Ore, 2007. Charcoal and pastel on paper.
Courtesy of the Artist and Goodman Gallery
© William Kentridge
Image courtesy of Zeitz MOCAA
Photo: © Anel Wessels

Copyright: Artwork: Courtesy of the Artist and Goodman Gallery. Image courtesy of Zeitz MOCAA. Photo: © Anel Wessels

Info: 2362px x 3111px / 11.85 MB / JPEG

William Kentridge: Domestic Scenes, 1980. Shoe Polish on canvas.
Courtesy of the Artist and Goodman Gallery
© William Kentridge
Image courtesy of Zeitz MOCAA
Photo: © Anel Wessels

Copyright: Artwork: Courtesy of the Artist and Goodman Gallery. Image courtesy of Zeitz MOCAA. Photo: © Anel Wessels

Info: 3436px x 4756px / 11.48 MB / JPEG

William Kentridge

Copyright: Artwork: Courtesy of the Artist and Goodman Gallery. Image courtesy of Zeitz MOCAA. Photo: © Anel Wessels

Info: 7677px x 7437px / 14.44 MB / JPEG

William Kentridge: Installation view, Reading Room at Zeitz MOCAA. Why Should I Hesitate: Putting Drawings to Work.
Courtesy of the Artist and Goodman Gallery
© William Kentridge
Image courtesy of Zeitz MOCAA
Photo: © Anel Wessels

Copyright: Artwork: Courtesy of the Artist and Goodman Gallery. Image courtesy of Zeitz MOCAA. Photo: © Anel Wessels

Info: 5616px x 3398px / 15.01 MB / JPEG

William Kentridge: Installation view, UBU Tells The Truth, 1997 at Zeitz MOCAA. Why Should I Hesitate: Putting Drawings to Work.
Courtesy of the Artist and Goodman Gallery
© William Kentridge
Image courtesy of Zeitz MOCAA
Photo: © Anel Wessels

Copyright: Artwork: Courtesy of the Artist and Goodman Gallery. Image courtesy of Zeitz MOCAA. Photo: © Anel Wessels

Info: 5520px x 3680px / 15.09 MB / JPEG

William Kentridge: Three Sisters, Sister Cone, 2016. Bronze, oil paint.
Courtesy of the Artist and Goodman Gallery
© William Kentridge
Image courtesy of Zeitz MOCAA
Photo: © Anel Wessels

Copyright: Artwork: Courtesy of the Artist and Goodman Gallery. Image courtesy of Zeitz MOCAA. Photo: © Anel Wessels

Info: 3744px x 5616px / 9.86 MB / JPEG