Press release
WILLIAM KENTRIDGE – WHY SOULD I HESITATE: PUTTING DRAWINGS TO WORK
23 October 2020 – 2 May 2021
Hall for Contemporary Art/ Deichtorhallen Hamburg
William Kentridge – Why Should I Hesitate: Putting Drawings To Work
23 October 2020 – 2 May 2021
Hall for Contemporary Art/ Deichtorhallen Hamburg
23. Oktober 2020 – 2. Mai 2021
Halle für aktuelle Kunst/ Deichtorhallen Hamburg
Ausstellungsansicht WILLIAM KENTRIDGE - WHY SHOULD I HESITATE: PUTTING DRAWINGS TO WORK in der Halle für aktuelle Kunst
Foto: Henning Rogge
Ausstellungsansicht WILLIAM KENTRIDGE - WHY SHOULD I HESITATE: PUTTING DRAWINGS TO WORK in der Halle für aktuelle Kunst
Foto: Henning Rogge
Ausstellungsansicht WILLIAM KENTRIDGE - WHY SHOULD I HESITATE: PUTTING DRAWINGS TO WORK in der Halle für aktuelle Kunst
Foto: Henning Rogge
William Kentridge
Photo: Norbert Miguletz
William Kentridge: Espagne Ancienne (Porter with Dividers), 2005
Tapestry
William Kentridge: Porter Series: Norwége, Sueéde et Danemark, 2005
Tapestry
William Kentridge: More Sweetly Play the Dance, 2015
Installation at Eye Filmmuseum, Amsterdam, 2015
William Kentridge: More Sweetly Play the Dance, 2015
Installation at Eye Filmmuseum, Amsterdam, 2015
William Kentridge: Garibaldi, 2016
Aquatint etching on handmade paper, mounted on raw cotton cloth
William Kentridge: Drawing for Il Sole 24 Ore, 2007
Charcoal and pastel on paper
William Kentridge: Domestic Scenes, 1980
Shoe Polish on canvas
William Kentridge: Studio Flowers 1, 2013
Tusche auf Universal Technological Dictionary
William Kentridge: Installation view, Reading Room at Zeitz MOCAA. Why Should I Hesitate: Putting Drawings to Work
William Kentridge: Installation view, UBU Tells The Truth, 1997 at Zeitz MOCAA. Why Should I Hesitate: Putting Drawings to Work
William Kentridge: Three Sisters, Sister Cone, 2016
Bronze, oil paint