Presse

William Kentridge: Installation view, Shadow Procession, 1999 at Zeitz MOCAA. Why Should I Hesitate: Putting Drawings to Work. Image courtesy of Zeitz MOCAA. Photography by Anel Wessels

William Kentridge: Installation view, Shadow Procession, 1999 at Zeitz MOCAA. Why Should I Hesitate: Putting Drawings to Work. Image courtesy of Zeitz MOCAA. Photography by Anel Wessels

William Kentridge: Preserve the 16 Private Thoughts, 2014. Indian ink and red pencil on found pages. Image courtesy of Zeitz MOCAA. Photography by Anel Wessels

William Kentridge: Garibaldi, 2016. Aquatint etching on handmade paper, mounted on raw cotton cloth. Image courtesy of Zeitz MOCAA. Photography by Anel Wessels

William Kentridge: Drawing for Il Sole 24 Ore, 2007. Charcoal and pastel on paper. Image courtesy of Zeitz MOCAA. Photography by Anel Wessels

William Kentridge: Domestic Scenes, 1980. Shoe Polish on canvas. Image courtesy of Zeitz MOCAA. Photography by Anel Wessels

William Kentridge: Installation view, Reading Room at Zeitz MOCAA. Why Should I Hesitate: Putting Drawings to Work. Image courtesy of Zeitz MOCAA. Photography by Anel Wessels

William Kentridge: Installation view, UBU Tells The Truth, 1997 at Zeitz MOCAA. Why Should I Hesitate: Putting Drawings to Work. Image courtesy of Zeitz MOCAA. Photography by Anel Wessels

William Kentridge: Three Sisters, Sister Cone, 2016. Bronze, oil paint. Image courtesy of Zeitz MOCAA. Photography by Anel Wessels